epic poem attributed to Homer
By Homer
The Iliad is an ancient Greek epic poem attributed to Homer, created in the 8th century BCE [5] and originating from Ancient Greece [10]. Written in Homeric Greek [6], it is divided into 24 books and composed in dactylic hexameter, containing 15,693 lines in its standard edition [1]. It forms part of both the Epic Cycle and the broader tradition of Homeric epics [4][7]. Often regarded as the first substantial piece of European literature, it remains one of the oldest extant works still widely read today and is central to the study of classical philology [1].
The poem depicts the wrath of Achilles [9] and engages with critical themes including glory, pride, fate, and wrath [3]. Frequently described as a heroic epic centered on war, violence, and the heroic code, it contains detailed descriptions of ancient warfare alongside explorations of social and domestic life [3]. Despite its predominantly serious tone, the poem also incorporates moments of comedy and humor [3].
In antiquity, the Iliad formed a cornerstone of Greek education and was performed by professional reciters known as rhapsodes at festivals such as the Panathenaia [8]. Its blending of regional dialects and depiction of unified Greek factions gave it broad resonance throughout the Hellenistic world [8].
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The Iliad ( ILL-ee-əd; Ancient Greek: Ἰλιάς, romanized: Iliás [iːliás]; lit. '[a poem] about Ilion (Troy)') is one of two major surviving ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. Like the Odyssey, the poem is divided into 24 books and was written in dactylic hexameter. It contains 15,693 lines in its standard edition. The Iliad is often regarded as the first substantial piece of European literature and is central to the study of classical philology. Set towards the end of the Trojan War, a 10-year siege of the city of Troy by a coalition of Mycenaean Greek states, the poem depicts significant events in the war's final weeks. In particular, it traces the anger (μῆνις) of Achilles, a celebrated warrior, from a fierce quarrel between him and King Agamemnon, to the death of the Trojan prince Hector. The narrative moves between wide battleground scenes and more personal interactions. Contrary to popular belief, the Iliad does not depict the fall of Troy nor mention the Trojan Horse used by the Greeks to conquer the city, which are attributed to later sources. The Iliad and the Odyssey were likely composed in Homeric Greek, a literary mixture of Ionic Greek and other dialects, around the 8th century BC though some modern scholars have argued for a mid-7th-century BC date. The poem's composition, historicity, and authorship are extensively debated (the Homeric Question), with Homeric scholars likewise debating whether the Iliad and the Odyssey were composed independently, and whether they survived via an oral or also written tradition. The poem's formulae, use of similes, and epithets are often explored by scholars. The Iliad was widely esteemed by the ancient Greeks and formed part of their standard education; the poem's conflation of different regional dialects, and its depiction of various Greek factions uniting to fight Troy, gave it strong resonance across the Hellenistic world. It was performed by professional reciters known as rhapsodes at Greek festivals such as the Panathenaia. Critical themes in the Iliad include kleos (glory), pride, fate, and wrath. Despite being predominantly known for its tragic and serious themes, the poem also contains instances of comedy and humor. It is frequently described as a "heroic" epic, centred around issues such as war, violence, and the heroic code. The poem contains detailed descriptions of ancient warfare, including battle tactics and equipment. However, it also explores social and domestic aspects of ancient culture in scenes behind the walls of Troy and in the Greek camp. Additionally, the Olympian gods play a major role, aiding their favoured warriors and cities on the battlefield and intervening in personal disputes. Their anthropomorphic characterisation in the poem humanised them for Ancient Greek audiences, giving a concrete sense of their cultural and religious tradition.
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Ἰλιάς
*Book I *Book II *Book III *Book IV *Book V *Book VI *Book VII *Book VIII *Book IX *Book X *Book XI *Book XII *Book XIII *Book XIV *Book XV *Book XVI *Book XVII *Book XVIII *Book XIX *Book XX *Book XXI *Book XXII *Book XXIII *Book XXIV