Italian Renaissance polymath (1452−1519)
1452 – 1519
Leonardo di ser Piero da Vinci, born 15 April 1452 and died 2 May 1519, was an Italian polymath of the High Renaissance [1][10]. Active across an exceptional range of disciplines, he worked as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect [1], with his fields encompassing Renaissance architecture, scenography, engineering, physiology, and painting [2]. Over the course of his career he worked in Florence, Milan, Venice, Mantua, Rome, and Amboise [12].
Although his reputation was first established through his achievements as a painter [1], Leonardo's practice extended well beyond the canvas. His preferred genres included portraiture, religious painting, and religious art [11]. He is equally celebrated for his extensive notebooks, which contain drawings and written observations on anatomy, astronomy, botany, cartography, and palaeontology, among other subjects [1].
Together, his paintings and notebooks offer an unusually broad picture of one creative mind at work during the High Renaissance [1]. The range of locations in which he was active suggests a career shaped by the patronage networks and intellectual currents of late fifteenth- and early sixteenth-century Italy and France [12].
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Leonardo di ser Piero da Vinci (15 April 1452 – 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he has also become known for his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and palaeontology. Leonardo is widely regarded as a genius who epitomised the Renaissance humanist ideal, and his collective works contributed to the development of European art to an extent rivalled only by that of his younger contemporary Michelangelo. Born out of wedlock to a successful notary and a lower-class woman in, or near, Vinci, he was educated in Florence by the Italian painter and sculptor Andrea del Verrocchio. He began his career in the city, but then spent much time in the service of Ludovico Sforza in Milan. Later, he worked in Florence and Milan again, as well as briefly in Rome, all while attracting a large following of imitators and students. Upon the invitation of Francis I, he spent his last three years in France, where he died in 1519. Since his death, there has not been a time when his achievements, diverse interests, personal life, and empirical thinking have failed to incite interest and admiration, making him a frequent namesake and subject in culture. Leonardo is identified as one of the greatest painters in the history of Western art and is often credited as the founder of the High Renaissance. Despite having many lost works and fewer than 25 attributed major works – including numerous unfinished works – he created some of the most influential paintings in the Western canon. The Mona Lisa is his best known work and is regarded as the world's most famous individual painting. The Last Supper is the most reproduced religious painting of all time and his Vitruvian Man drawing is also regarded as a cultural icon. In 2017, Salvator Mundi, attributed in whole or part to Leonardo, was sold at auction for US$450.3 million, setting a new record for the most expensive painting ever sold at public auction. Revered for his technological ingenuity, he conceptualised flying machines, a type of armoured fighting vehicle, concentrated solar power, a ratio machine that could be used in an adding machine, and the double hull. Relatively few of his designs were constructed or were even feasible during his lifetime, as the modern scientific approaches to metallurgy and engineering were only in their infancy during the Renaissance. Some of his smaller inventions, however, entered the world of manufacturing unheralded, such as an automated bobbin winder and a machine for testing the tensile strength of wire. He made substantial discoveries in anatomy, civil engineering, hydrodynamics, geology, optics, and tribology, but he did not publish his findings and they had little to no direct influence on subsequent science.
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